Brahms, Johannes - Sonata in A major op. 100 for Piano and Violin - Edited by Wiechart - G. Henle Verlag
Brahms, Johannes - Sonata in A major op. 100 for Piano and Violin - Edited by Wiechart - G. Henle Verlag
Brahms composed a whole series of chamber music works, including his Second Violin Sonata in A major, during a summer visit to Thun in Switzerland in 1886. This wonderfully lyrical work is one of his most cheerful creations; his biographer Max Kalbeck once cryptically called it a âsonata of love and songâ. The second subject of the first movement quotes the principal motif of Brahmsâs own song âWie Melodien zieht es mirâ, and the other movements are similarly characterised by a melodious intimacy. The close structural cohesion of the sonata was immediately acknowledged by the music critic Eduard Hanslick, who noted that âThe three movements form a pure triad of uniformly soothing moodsâ.
The musical text of this revised Urtext edition is based on the recently-published volume within the New Brahms Complete Edition, which guarantees the highest degree of scholarly precision. Frank Peter Zimmermann and Martin Helmchen, masters of their respective instruments, provide helpful fingerings.
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Description
Brahms composed a whole series of chamber music works, including his Second Violin Sonata in A major, during a summer visit to Thun in Switzerland in 1886. This wonderfully lyrical work is one of his most cheerful creations; his biographer Max Kalbeck once cryptically called it a âsonata of love and songâ. The second subject of the first movement quotes the principal motif of Brahmsâs own song âWie Melodien zieht es mirâ, and the other movements are similarly characterised by a melodious intimacy. The close structural cohesion of the sonata was immediately acknowledged by the music critic Eduard Hanslick, who noted that âThe three movements form a pure triad of uniformly soothing moodsâ.
The musical text of this revised Urtext edition is based on the recently-published volume within the New Brahms Complete Edition, which guarantees the highest degree of scholarly precision. Frank Peter Zimmermann and Martin Helmchen, masters of their respective instruments, provide helpful fingerings.
























