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Bruch, M. - Kol Nidrei, op. 47 - for Cello and Piano - G Henle Verlag URTEXT
Aside from his popular Violin Concerto no. 1, āKol Nidreiā numbers among Max Bruchās most famous compositions. The melancholy āAdagio after Hebrew melodiesā was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day āKol Nidreiā offers every cellist a wonderful opportunity to make the instrument āsingā. In this text, based on the first edition of 1881, āKol Nidreiā appears for the first time in an Urtext edition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian PoltĆ©ra was able to be procured for the markings in the solo part.
URTEXT Edition including a supplemental cello part with markings by Christian PoltƩra. Published by G. Henle Verlag.
Difficulty:Ā A5 (Advanced)
URTEXT Edition including a supplemental cello part with markings by Christian PoltƩra. Published by G. Henle Verlag.
Difficulty:Ā A5 (Advanced)
$3.75
Original: $12.49
-70%Bruch, M. - Kol Nidrei, op. 47 - for Cello and Piano - G Henle Verlag URTEXTā
$12.49
$3.75
Description
Aside from his popular Violin Concerto no. 1, āKol Nidreiā numbers among Max Bruchās most famous compositions. The melancholy āAdagio after Hebrew melodiesā was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day āKol Nidreiā offers every cellist a wonderful opportunity to make the instrument āsingā. In this text, based on the first edition of 1881, āKol Nidreiā appears for the first time in an Urtext edition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian PoltĆ©ra was able to be procured for the markings in the solo part.
URTEXT Edition including a supplemental cello part with markings by Christian PoltƩra. Published by G. Henle Verlag.
Difficulty:Ā A5 (Advanced)
URTEXT Edition including a supplemental cello part with markings by Christian PoltƩra. Published by G. Henle Verlag.
Difficulty:Ā A5 (Advanced)
